一场谋杀案使银行家安迪（蒂姆•罗宾斯 Tim Robbins 饰）蒙冤入狱，谋杀妻子及其情人的指控将囚禁他终生。在肖申克监狱的首次现身就让监狱“大哥”瑞德（摩根•弗里曼 Morgan Freeman 饰）对他另眼相看。瑞德帮助他搞到一把石锤和一幅女明星海报，两人渐成患难 之交。很快，安迪在监狱里大显其才，担当监狱图书管理员，并利用自己的金融知识帮助监狱官避税，引起了典狱长的注意，被招致麾下帮助典狱长洗黑钱。偶然一次，他得知一名新入狱的小偷能够作证帮他洗脱谋杀罪。燃起一丝希望的安迪找到了典狱长，希望他能
影片讲述负债累累的两兄弟为躲避讨债人，逃到阿拉斯加的某处荒野后发生的冒险故事。《荒野逃生》大量戏份发生在阿拉斯加荒野中，拍摄难度非常高。
七十九岁的医生伊萨克．伯雷在献身医学界几十年之久后终于获得人们所颁赠的荣誉博士学位，于是开车前往多伦多。随行的还有他的家人。途中，当伊萨克从媳妇口中得知儿子竟恨自已自私的时候，他有所振动，坐在路边草坪上开始忘我地回忆自己的少年时代，同时也想到了自己的初恋情人堂妹莎拉。由幻想清醒过来的伊萨克，望着站立在他面前的与莎拉长得十分相像的少女与两名青年，他们都充满着青春的活力。伊萨克感悟并埋怨自已为了学问，将爱情等闲视之，时光水逝，美丽的青春和爱情一去不返。
万物有灵。能够召唤万物之灵的人，被称为召唤师。召唤泥土，召唤枯骨，召唤灵魂，召唤星辰…自古以来，召唤师的传说深藏在每一段历史当中，但终究还是被时间封印，被世人遗忘。新的时代，少年觉醒！立志成为拉面王的阿杰无意中召唤出了女神朵拉，从此走入召唤师的世界。一路上，他集结了稀奇古怪的同伴，合力对抗神秘的“毁灭者”组织。在一次次的战斗和冒险之中，少年们能否掌握自己的命运，发掘出世界的真相？
泰国GMM最新推出“秘密的恋爱”系列言情轻喜剧，讲述了三种不同风格的纯爱题材故事。《秘密的戀愛》系列言情輕喜劇，講述了三種不同風格的純愛題材故事。第一部《我的學弟男友》和第二部《我親愛的狗狗》讲述了学长与学妹之间因为狗狗而萌生的纯真恋情。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
杰克是一个真正的败类袋谁要娶克里斯蒂。他睡觉与其他妇女和所有偷她的钱的一个坏习惯。他们结婚前两个星期，克里斯蒂认为性行为与他们的女仆，罗莎杰克。原来，他被威胁罗莎到ML，以及他的秘书黛安。当他去外地出差，杨恭如，罗莎，和Diane设计出一个办法让他回来对所有的事情，他已经把他们通过。他们还决定把他的房子变成一个特殊的按摩院了几晚所以杨恭如可以尝试做一些的钱还给了杰克从她偷走了。
1984年的夏天，空气中弥漫着慵懒自由的气味。17岁的埃里克（克里斯斯坦福 Chris Stafford 饰）是一个刚刚升上高三的阳光男孩。使用假日，他和好友麦琪（蒂娜霍尔摩斯 Tina Holmes 饰）找到一家快餐店打工。在此埃里克邂逅善于个人的男孩罗德（安德森盖布里奇 Andersen Gabrych 饰）。罗德好像对眼前这个略带羞涩的男孩颇有好感，他似无忌惮的撩拨让埃里克心慌意乱，却也逐渐发现个人喜爱上了罗德。艳阳高照的俄亥俄州，男孩与男孩的情欲纠葛由此打开本片荣获1998年洛杉矶电影节观众奖最佳影片、评委会大奖最佳男主角（Chris Stafford）、最佳美国影片和最佳剧本奖；1998年旧金山同性恋世界电影节观众奖最佳影片。
1940年5月，荷兰鹿特丹。荷兰小伙子文森特和弟弟是一家酒店服务生，同时文森特还是一位业余拳击手。5月初的一天，德国富商的女儿伊娃来到酒店与德国实业家德克准备结婚，一天正在送面包的文森特在街上邂逅了伊娃，正当文森特在桥边为伊娃拍照时，正巧遇上荷兰士兵阻击入侵的纳粹士兵，两人慌不择路逃进了动物园的大象馆……这以后很快坠入了爱河...这引来了德克对文森特的极大敌意。5月14日，伊娃与德克正在教堂举行婚礼，德军的飞机开始了大轰炸，教堂和酒店成了一片废墟，文森特奋力地救出了伊娃，可德克举着手枪站在了面前，枪响了，文森特的肩膀受伤，伊娃不顾一切地冲上去抢过了手枪，就在这时，一场意外的爆炸发生了。伊娃的吻，成了文森特长久的回忆……
女孩泡在水中，飄著，依著水流載沉。小船悄悄經過，一不小心劃傷最敏感的肌膚。作品源自個人經歷，描述一段女性對於疤痕的記憶。透過創作重現女性在情愛中的感官感受，以及獨特的內在時間感。以緩慢的節奏帶領觀者進入她深沉的記憶，連續的片段畫面形同回憶的過程，感受愛的溫暖與曖昧的不適。
动画第2期于2017年1月4日起在dアニメストア进行网络配信。