清乾隆年间，江湖并称“南刀北剑”的胡一刀和苗人凤（万梓良 饰）相遇比武。这二人武功高超，侠义双全，虽为对手，但是惺惺相惜。其间胡夫人产下一子，赐名胡斐。胡一刀为防不测，特将妻儿托付给苗人凤。在最后一日的比试中，胡一刀为苗的旭日剑所伤，竟当场毒发身亡。胡家仆从平阿四见情形不好，怀揣秘籍和胡斐躲过田归农追杀，隐居深山。苗人凤则心怀愧悔，将旭日刀和半月剑埋进胡一刀夫妇的墓中，发誓封刀十年。岁月流转，胡斐已成长为一名英姿飒爽、武功高强的少年英雄（黄日华 饰），他偶然遇见被苗人凤追杀的苗归农和阿兰，遂勾起为父报仇的念头。他一路下山，却赶上了江湖动荡的大劫…… 本片根据金庸的武侠小说《雪山飞狐》改编。
由北京广播电视台生活频道中心打造的大型城市美食人文纪录片栏目《味道掌门》，聚焦北京美食文化特色，汇聚名厨名菜，围绕一道餐厅招牌菜、一位味道掌门人、一份独特的城市记忆展开，以美食之名打造有厚度、有精度、有温度的北京城市名片。 该片以美食切入，通过挖掘人物传承技艺的故事来讲述城市发展，带领观众品鉴美味背后厨艺大师的坚守与匠心。
出品单位:亚文邦（北京）文化传播明朝中叶，西北蒙古边患未除，巡阅使厉飞龙为了保护边境的水源和边疆的稳定，同深藏不露阴险的结义兄弟胡松在温泉山庄进行了惊险的恶斗，展现了他们和常黑龙以及黄小风之间纠结的兄弟情义，塑造了厉飞龙这个黑暗官场中侠义形象……
以淄博美食为核心，寻觅如今爆火的网红美食，以及美食背后城市间人与人的人情味，呈现属于这座城市的烟火人间与真诚温度，也通过一个个不同的美食与美食背后的故事，感受“爆火”城市背后的“速度”与“温度”。一场始于烟火、归于真诚的邂逅，让八方游人了解淄博、走进淄博。
黑道大哥方叔（柯俊雄 饰）为人刚正耿直，忠勇仁义，为道上的兄弟所敬仰。当年他为保护兄弟，一个人顶下所有罪名，从此在监狱中度过了几十年岁月。出狱后，周围一切早已变了模样，当年的小弟们垂垂老矣，或退休，或经商，俨然与黑道没有任何干系。而黑社会的价值观也发生巨大改变，年轻的黑社会完全不把仁义放在眼里，在他们看来金钱胜过一切。 方叔知道属于自己的时代早已远去，莫不如静下心来过好余下的日子。但他的女儿阿丽因疏于父爱而过分叛逆，成为一个小混混的马子。为了保护女儿，方叔不得不重新进入这已经变得十分陌生的纷乱江湖……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
艾伦·伯斯汀、艾玛·汤普森将出演奇幻新片[迷失的女人](The Lost Girls，暂译)。本片改编自J·M·巴利的小说，瓦莱里奥·德·鲍里斯将自编自导自演这部电影。汤普森的女儿Gaia Wise也将出演本片。故事将讲述四代可爱的女性在与彼得·潘在梦幻岛的冒险经历后的挣扎，将聚焦温迪(德·鲍里斯饰)在与潘的奇幻之旅后，如何努力保持自己的创作精神。就像她的祖母(伯斯汀饰)和母亲简(汤普森饰)一样，温迪必须摆脱潘对她的控制，以及潘拼命想让她信守的承诺。当她的女儿贝瑞(Wise饰)进入潘的势力范围，温迪必须战斗，以挽救她与她的女儿的关系。
《神月大陆》是考拉娱乐出品的都市玄幻电影。由青年演员孙玮伦、居来提、丁丁、董佳宁、杜乔主演。 故事讲述了都市小青年唐宁在去应聘工作时莫名遭到枪击致死，后被神月大陆天玄门少主夺身重生，之后身具两魂，无意中身陷世俗之争。时而高冷，时而屌丝的男主唐宁身担两个人的命运，最终为寻找五大家族的龙行徽章重返神月大陆。
浩瀚无垠的澳洲大陆，壮观绝美的自然风光吸引无数旅者和背包客来到此地一游。可是当他们快乐自在和大自然融为一体的时候，却全然没有意识到危险也在悄然逼近。晴朗明媚的一天，德国小伙鲁特格尔（Philippe Klaus 饰）和女友凯瑟琳娜（Shannon Ashlyn 饰）徒步行走在漫长无边的公路上，他们正前往国家公园，期间扬手搭车，尽享背包客的乐趣。两人你侬我侬，在国家公园的野外支起帐篷，谁知却被冷空无情的米克·泰勒（约翰·贾瑞特 John Jarratt 饰）盯上了。一轮紧张的对话过后，米克出手杀害鲁特格尔，弄晕凯瑟琳娜。当惊恐的女孩从昏迷中醒来时，发现不远处的米克宛如魔鬼一般悠然自得地肢解着她的男友。 凯瑟琳屏住呼吸落荒而逃，但是残忍的死神怎能容得他的猎物轻易逃脱……
在一个异时空女儿国的世界，这里居住着美丽的姑娘们，她们过着祥和的生活，有着四位忠诚的守护者。每年在特定的时节，女儿国的圣坛都会涌出圣水，这是女儿国人口得以繁衍的秘密,但她们也因此经常遭到外族戈阳国的攻击，为此，先人利用圣泉的力量为女儿国建起了结界抵抗戈阳国入侵。 直到有一天，戈阳国攻打女儿国，女儿国四大守卫之一遇袭，在结界即将失灵之际，其他三位守护者们使用禁术召唤来一名来自现世的神秘男子—杜空空，从此打破了女儿国平静的生活……
藤桥凉（高森奈津美 配音）是在工厂里上班的女白领，深受下属和同事们的信赖。某日，一个名叫水野飒马（伊东健人 配音）的男人找到了她，拜托她帮忙参加一场联谊会。水野是凉的青梅竹马，两人从很小的时候起就认识了，如今的水野是一名消防员，不知道他成长的过程中遇到了什么变故，导致他现在的性格非常的轻浮，总之对于凉来说，水野并不是一个理想的恋爱对象。 然而，让凉没有想到的是，自己的公寓竟然发生了火灾，房屋尽毁，无奈之下，凉只得暂时搬到了水野家里，两人就这样开始了“同居”生活，凉也因此看到了水野不为人知的另一面。