白玉来到玄幻世界，成为九流门派白玉门的掌门，一觉醒就得知宗门面临即将被天一教合并的厄运，就在此时，白玉成功签收了自己的新手福利：绑定了只要赐予予徒弟，系统就会数倍返还对应物品的收徒万倍返还系统。 由此，白玉实现白玉门和他一个“天”赋予异禀”的弟子们，走起崛起起步“叮！你导入师弟白面馒头，触发万倍返还，恭喜你获得一万个白面馒头！” “叮！你导入师弟李修的不入流功法《第八套广播体操》，触发万倍返还，恭喜获得神级功法《太玄体术》”多年后：“白玉大帝自己那么强也够了，为什么他的徒弟也个都是同人一代修士中的天花板？” “因为我的师尊从来不藏私！”已成为全体兄弟巨擘的徒弟们自豪地说道。
迷幻公园是这个城市滑板少年的聚集之地，当然，这里也是犯罪的多发地带。少年阿历克斯（盖博•纳文斯 Gabe Nevins 饰）迷恋上了这个公园，每天他都要到这里来，虽然他玩滑板不是很在行，但是能静静的坐在边上，欣赏场内各个高手各种各样的滑板花招，他已经感到十分快乐。然而，那天发生的一次事件却令到阿历克斯即使听到别人提起迷幻公园都十分局促不安。阿历克斯每天都在经历着一番剧烈的心理斗争，他惊恐、他害怕、他迷惘。最终阿历克斯会走向何方？
千金是一名孤儿，在大学期间无意中有一个奶奶找上门，摇身一变成为了一家集团的继承人，但是在这个集团的内部有人在为争夺集团股份而想要暗杀贾千金。但是杀手集团派了一名还未过实习期的杀手李昂前来执行任务，李昂在执行任务的过程中爱上了贾千金，并且暗杀任务败露，杀手集团重新派了一名杀手，后来李昂在暗中保护着贾千金并且在最后救了贾千金。
结婚多年的家昌（许冠杰饰）与正男（郑文雅饰）育有一女一子，两人分居后各自抚养一个孩子。不久夫妇二人各自有了新欢，唯有两个孩子希望能父母复合团聚，各施计谋戏弄对方的新欢，让他们知难而退。可是家昌与正男每次见面都会不欢而散，最终决定离婚。儿女十分难过，相约离家出走，要到外公提到的寺院祈求父母能复合。他们千辛万苦找到儿女，也听到了儿女的感人祈求，最后他们能不能破镜重圆呢？
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
西方军队撤离后，阿富汗最年轻的女市长冒着生命危险带领下一代阿富汗人争取受教育的权利。
3月12日 21-22赛季德甲第26轮 弗赖堡VS沃尔夫斯堡
真挚热忱，永远年轻。谁的梦想清单里没有与姐妹一起合伙开店，一起大笑，一起做梦呢？2021#请吃烧烤的姐姐#，邀请你来光临蔡少芬和姐妹的烧烤店，听听她们的温暖故事。
制作·发行 Trinet Entertainment 原作 介错 制片人 大宫三郎 中西孝 坂本耕作 监督 宫崎なぎさ 系列构成 池田真美子 登场人物设计 佐藤寿子 美术监督 森元茂 色彩监督 川上善美 撮影监督 松本敦穗 编集 田熊纯 音响监督 蛯名恭范 角色 - 声优表 有栖川ありす 清水爱 御笑キサ 松来未祐 Liddell 浅野真澄 Tachyon 子安武人 使い魔 关智一 双子ALice 金田朋子 双子ALice かないみか 篝木キリカ 河原木志穗 桐原有人 礼永利行 桐原きらは 狩野茉莉
高富帅郝帅刚和女友提出分手就被车撞死，萌婆说找到愿意和他签爱情契约的人就可以重生，必须是两人真心相爱，且用她20年青春换他性命郝帅第一次被变成屌丝，第二次被变成女人，重重难关下他能否顺利签下爱情契约？他的爱情又该何去何从？
一位在事业上处于低谷期，生活中处处不尽人意的女人——艺璇，在面临即将失业之际，一家有名的“密室”正在举办的活动，她的经纪人擅作主张替她报了名活动邀请有胆识，有勇气之人前去参加，并且最后的胜出者将得到丰厚的奖金。无奈之下，艺璇选择听从经纪人的安排，参加了此次活动。想借此机会来挽回自己的事业和失意的人生。