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姜文蛰伏七年之后的又一力作，由四个充满魔幻现实主义风格的小故事组成。 1976年，南部一个边远的小山村，李东方（房祖名 饰）的母亲因为一双鞋子疯掉，成为疯妈（周韵 饰），终日疯疯癫癫，一天，李东方无意发现疯妈发疯的真相…… 1976年，一所大学里，晚上在操场放电影，有五个女人声称被人“摸屁股”，梁老师（黄秋生 饰）阴差阳错成为嫌疑犯，有人开始在暗中帮他洗脱嫌疑…… 1976年，老唐（姜文 饰）和唐妻（孔镱珊 饰）下放到李东方所在的小山村。老唐天天和村里的孩子们一起上山打猎，逍遥自在，唐妻备受冷落之下，准备寻找自己新的生活…… 1958年，新疆，两个骑骆驼的女人，唐妻和身怀六甲的疯妈，并肩而行，迎接她们的，是两段截然不同的命运…… 若干年后的纠葛，从茫茫戈壁上的相遇开始，早已冥冥注定。
本片根据古龙名着改编，是楚原导演又一力作。天下第一剑客燕南天(王戎饰)手抱婴儿到恶人谷找江琴为义弟江枫报仇，怎知误入恶人圈套，不省人事。婴儿自小在恶人谷长大，取名小鱼儿(傅声饰)。小鱼儿从神医万春流口中得悉自己身世，出谷往找江琴报仇！途中邂逅铁心兰(文雪儿饰)，除得一纸藏宝图外，更屡被移花宫弟子花无缺(伍卫国饰)追杀。原来花与鱼根本是一对双生儿，移花宫主因不满他们父亲江枫移情，遂与改名江别鹤的江琴(唐菁饰)设局令兄弟相残！阴谋败露，花鱼联手，终将江及宫主刺毙。 这是一个关于宝藏和孪生兄弟被人利用相互廝杀的故事，被认为是楚原执导得最佳影片之一，傅声的出演更是让影片变得独具特色，他在片中饰演的那位最终找出自己父母死亡真相的功夫少年的形象，给观众留下了深刻印象。可惜傅声在29岁时因车祸英年早逝，实在令人惋惜。
民国初年，北方盘龙镇来了一神秘男子巡城马。抢山贼银票的姚氏藏于巡城马投宿的房中被山贼误为一伙，追杀中，由胡某救下，为报恩须十二天内安然将四个木箱送至给匪头焦龙原来胡已捉去姚家人，巡城马见日落姚未归，前去搭救，才知道他们送去的是屠杀革命党人的……
Mikheil Chiaureli是斯大林的御用导演，《攻克柏林》长达近五个小时，分上下两部，处处着重突出最高统帅的高瞻远瞩。影片结尾，斯大林乘飞机抵达陷落的柏林，接受苏军的欢呼。其实这是“艺术虚构”。和《斯大林格勒战役》www.douban.com/subject/1790606/一样，这场实际主要由朱可夫将军指挥的战役，影片中丝毫没有他的影子。当时朱可夫已经因为功高震主，被罗织罪名，发配到乌拉尔军区去了，这是1946年的事。这部1949年的电影很自然地就将朱可夫的功劳“艺术虚构”到伟大领袖的头上了。 因为这部影片，导演连续获得了两次国家奖金，包括1950年的斯大林奖金。中国观众熟悉的《难忘的1919》（1952）www.douban.com/subject/1790597/也是出自这位导演的手笔。值得一提的是，这两部影片都是由苏联作曲家肖斯塔科维奇谱曲的。
电影《守边人》以全国“时代楷模”魏德友的先进事迹改编创作，艺术展现了新疆公安边防总队护边员魏德友50多年坚守萨尔布拉克草原无人区，护边戍边的感人故事，谱写了平凡人的伟大爱国情怀，是我国第一部反映民兵驻勤的影片。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
每次聽到鄰居夫婦的共鳴聲，鄰居女人的笑容都是那麽令人羨慕。另一邊，明姬卻拼命想天天和她在一起，看到鄰家女孩的笑容有着可愛性感的身材，因爲每天都和老婆一起做是不夠的。看到透過窗戶窺探她的笑容，她徑直沖向她。
爆炸头青年田中广(贺来贤人饰)至今还未和女性亲吻过。工作被开除后经原公司社长介绍，从琦玉来到了东京。上京后，他每天在隧道工程公司工作，流着汗，过着健全的日常。一天，与田中同住在公司宿舍的铃木小班班长（小泽征悦饰）邀请他参加联谊。西田前辈（松尾谕饰）和与田中同年的高桥（白石隼也饰）也参加了这场联谊。田中在那里和丸之内OL真希(夏帆饰)命运地相遇了。
一场停电，打乱了三个平凡人的生活。天性乐观的青年周港康（周嘉洛饰）、失意女编剧黎湘文（江嘉敏饰）、性格暴躁的郑忠（郑子诚饰），为生活都当上了外卖员。三人各有抱负，却因某次停电而陷入困境。正当前路茫茫之际，三人得知世上竟存在着一个神奇灯泡，只要把灯泡燃亮，即可愿望成真！不过，灯泡只得一个实现梦想的机会，三人当中必有牺牲……
四个年轻人来到森林探险，女孩雀儿与伙伴走散，路上遇到了野人。\r另一边男孩大鱼不小心落入当地人陷阱，被女孩黑丫所救，两人嘻嘻闹闹谱出姻缘。相处中，野人爱上雀儿，关键时刻救她脱离困境，不料却让自己陷入了一场悲剧。