《逝者之证》又叫《冷面女法医》。该季是完结季，第三季讲述的是Peter死后、梅根受创伤，但依然坚持工作，后与警探沙利文合作破案。20年前沙利文曾经和梅根有过一段恋情，如今调职到费城，希望赢回她的芳心。这位硬汉警察和梅根一起查案时，将带给这位意志坚强的前任女友不少麻烦，同时也少不了各种调情暧昧。帮助抚慰梅根受伤的心。@yakutv.cc
在参拜母亲坟墓的回程途中，真嗣（绪方惠美 配音）和葛城美里（三石琴乃 配音）遭遇了第七使徒的攻击，关键时刻2号机势如破竹挫败对手，真嗣也由此结识了2号机的操纵者式波·明日香·兰格蕾（宫村优子 配音）。与沉默寡言的绫波丽（林原惠美 配音）不同，明日香自信张扬，甚至有些自大，在和真嗣相处的日子里，彼此闹出不少的笑话。他们三人分别驾驶着零号机、初号机和2号机，抵抗了第八使徒猛烈的攻击，在这一过程中，淡淡的情愫悄然在这三个青年男女的心中萌生。不久后，第九、十使徒相继降临，真嗣他们面临着生与死的残酷考验……
影片讲述了新奥尔良众议员科林·普莱斯的职业生涯因性丑闻被中断后，直面混乱人生的故事。
冰寒大地，恶龙肆虐。每到特定日子，人们必须献祭出美丽的女孩，让其成为恶龙的 “新娘”。勇敢的屠龙者历经千辛万苦，凭着对女孩的真爱找到龙的巢穴，将恶龙杀死，这 片土地也因此恢复平静。 数十载后，残暴恶龙与勇敢屠龙者的故事已经成为传说。这天，美丽的公爵小女儿米拉（玛利亚·波兹哈娃 Mariya Poezzhaeva 饰）即将举行盛大婚礼。屠龙者族人们在婚礼上唱起了龙之歌，不料此举竟唤醒了恶龙。新娘米拉被恶龙掳走，遗落在荒无人烟的遗骸岛。在岛上，她遇到一个神秘人阿尔曼（马特维·雷科夫 Matvey Lykov 饰），然而米拉发现，这个有着人类躯体的男子，竟然就是掠夺自己的恶龙。随后米拉与阿尔曼在岛上开始 生活，米拉渐渐的改变了阿尔曼的龙性。不料阿尔曼怕自己变成龙伤害米拉，假装赶走米拉，米拉在海上漂泊被未婚夫救走，婚礼即将再次举行。
影视公司宣传企划杨佳（刘诗诗 饰）得了怪病，命悬一线。暗恋她的程序员刘同（胡夏 饰）为使她不留遗憾，决定在她每次昏迷苏醒之际，以穿越之名为她圆梦。但，刘同的行动并不顺利，除了突发情况带来的穿帮，还有来自情敌尹哲（大左 饰）的奋力阻挠、戳穿。刘同竭尽全力与重重困难斗智斗勇，结果却完全出人意料——原来，杨佳并非真病，她是为对付上司骚扰，佯作患疾。刘同的努力，她完全明了，刘同为她精心设计的从民国到未来，跨越200年的美妙梦境，让杨佳深受感动。大家到此方才恍然大悟。可是，又一个意外横飞而来……
佩金（NormanWisdom）是一家传统乳品店的伙计，看起来有些缺心眼儿但为人敦厚善良，他与他的爱马奈丽朝夕相处。但是一家大企业的入侵使乳品店面临着关门歇业的危险，让佩金更担心的是奈丽也很可能被送到屠宰场，大公司的侵犯加本戴利，甚至无辜的奈丽也被下了毒，忍无可忍的佩金为了拯救乳品店和可怜的奈丽自告奋勇去大公司理论引起随之而来的让人啼笑皆非的混乱。-------转自kaharman@中国配音网
天海祐希在与海外的魅力女性们的交流中，探寻历史和文化的纪录片系列之三。本次的舞台是伦敦与苏格兰。首先奉上的是伦敦篇。如今的伦敦正因凯特王妃诞下第二个孩子而备受世界瞩目，自海外赴伦敦旅游的人数高居世界第一。其魅力的秘密何在？在与凯特王妃钟爱的女性时尚设计师，以及将传统英式料理变得史无前例地美味的女性主厨的交流之中，这一秘密将会逐渐揭晓。在尊重传统的基础之上，不断创造出革新之物的女性魅力正蕴藏于此。让我们跟随天海小姐的脚步，去发现这个颠覆了世人对“绅士之国”的传统印象，以女性的卓越表现而闪耀于世的伦敦。紧随伦敦篇之后奉上的是苏格兰篇。天海小姐的下一站是苏格兰，也就是那位著名的哈利·波特的故乡。在这片宛如魔法的国度一般的大地之上，目之所及，皆是幻境般的景色。天海小姐的苏格兰之行从乘坐火车开始，去探访曾在哈利·波特的电影中登场的大桥。在旅途中，天海一行遇到了守护着美丽的溪谷的女护林人，和苏格兰威士忌酿造厂的女主管。在这片有着许多女性坚强生活着的大地上，天海一行目睹了许多前所未见的奇异景象，心中又生出了何种感触呢？
即将三十而立的马修（休斯顿·怀宁斯 Houston Rhines 饰），工作上总被骄横的老板呼喝，跟长期男友的感情也步入七年之痒。被工作和生活拖垮的他孤注一掷的求助网络。意外的是网络回应他了！一款叫“网路爱神”（eCupid）的应用软件保证为他配对完美的爱人。突然马修的生活变得仙乐飘飘，各类帅哥络绎不绝的找上门来，且个个符合他的性幻想。然而随着eCupid开始频繁干涉他的生活，马修隐约觉得，也许更应该听从自己内心，决定谁是生命中最爱的人...... 软件可以通过研究人的网络足迹而配对真爱吗？假如有天程序开始干预你的现实行为，你会按照它说的做吗？“网路爱神”讲的就是一个近乎荒诞的故事。你会发现人与人的交友方式可以改变，但感情最终还得走心。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
一个中国女孩哈贝贝，在埃及旅游邂逅了一个化名"后海"的中国男孩。回国后两人发生了一系列爆笑搞怪.轻松幽默.曲折感人的爱情故事。展现了现代都市青年的价值观和人生观。对青年人之间的感情生活有了新启示。
本剧讲述的是爱上了同一个男人的3个单身母亲所展开的悬疑故事，小池在片中饰演的是养育着12岁女儿的单身妈妈兼职业女性·森下晴美，她将和涼（46）饰演的养育着15岁儿子的禁欲系健身教练小椋加奈子以及#岡本玲#（27）饰演的养育着双胞胎的温柔保育士藤宫茜一起围绕着丈夫所留下来的3亿日元继承权展开争斗。 虽然是事实婚姻（未领结婚证但同居的生活），但和丈夫幸福生活的晴美在某天接到了警察打来的电话，说自己的丈夫被杀了。赶到了医院的她遇到了加奈子和茜，两人都说和自己的丈夫有着事实婚姻的关系。而根据丈夫的遗嘱，3人被引导合住在「单身母亲专用的合租房」。此外，丈夫还留下了“我将把3亿日元交给我所爱的「唯一的妻子」”这样的遗言。由此，3个女人围绕着作为最爱的妻子继承3亿日元的权利，展开了斗争……