《德云社红酒之夜专场北展站》是德云社成立20年之际举行的全球相声巡演。这是一场视听盛典，德云社多位相声艺人倾力轮番上演，一起将爆笑进行到底。
彼得·特拉维斯在影片中描绘了致力于瓦解南非种族隔离制度的人物与大事件，本片在圣丹斯独立电影节上首映。 《终局》(Endgame)是一部基于事实的政治悬疑片，有着强烈的真实感，在对各个角色的参与进行了高度提炼之后，已不仅仅是记录当时历史，还是充满戏剧张力。拍摄这种“现代历史剧”，是英国人的强项。 片中所说的故事，不过发生在20年多年前。曼德拉仍在狱中，但南非白人政权实施的种族隔离制度，正在把国家带向崩溃。非洲人国民大会(ANC)总部流亡在赞比亚。南非内阁中的部份人士，和ANC之间，出于各种不同的目的，都有相互接触的愿望。然而促成谈判的，却是英国的矿产公司。出于维护其在南非的长期利益，它们希望能够为南非的种族冲突找到政治解决方案。剧中的主角 Michael Young，第一次出场时是混入黑人隔离区，看上去是个记者，但他其实是一家英国矿产公司的代表。 Michael Young 的活动，代表的是资本集团的利益，但如果没有他本人对于种族歧视的反感，和对社会公义的认同，他也不可能如此深入地介入谈判中。他找到的代表南非白人(Afrikaner)的Willie Esterhuyse 本身是一个倾向自由主义的大学教授，但在背后支持他的却是南非安全部门的头目(Niel Barnard)，他支持教授去谈判，是既想利用谈判分化ANC，又意识到改变种族隔离是不可逆转的趋势。在ANC方面，参加谈判的 Thabo Mbeki 既要说服ANC首脑谈判的必要性，还同时面对ANC内部主张武装斗争的强硬派的不满。参与谈判的双方同时感到自己的生命遭受威胁，还不清楚威胁来自何方。与此同时，狱中的曼德拉，也在被拉拢，试图用来分化ANC。 片中涉及的谈判其实进行了好几年，参与双方最初是相互仇恨、充满怀疑和藐视，慢慢地产生个人层面的信任，促使谈判一直继续下去。最终让南非政局出现转机的，是新总统德克勒克的上任。在多年接触打下的基础上，1990年南非终于释放了曼德拉，并开始和ANC正式开始谈判。 这部影片的出色之处，是能够把参与谈判各方的背景、动机、个人理念、利益冲突，叙述得十分清楚，既没有把道德立场简单化，又给予各方立场的出发点给以足够的理解。政治是复杂的、谈判总是反复拉锯的，这部片子虽然以“谈”为主，但在反映政治交锋时，却能保持戏剧张力。 这段并不遥远的谈判历史，给予现实的启示是多方面。当时的ANC，被南非定为恐怖组织，而ANC也确实组织了不少恐怖活动。然而事实证明，与“恐怖份子”接触，进行谈判，是实现政治解决的重要步骤。 南非的经验，后来也被用在北爱尔兰问题上，当爱尔兰共和军(IRA)仍然在北爱和英格兰制造恐怖事件的同时，英国就已经开始与IRA的政治分支新芬党接触和谈判了。北爱问题的和平解决，是多年来反复谈判的结果――相信不久的将来也会拍成电影。
When reptilian aliens begin to take over the world, the remaining survivors' must band together and fight back with newly developed fighter jets.
当红女歌星周媚（马羚）报案声称被人强奸，待刚从警官学校毕业上班没多久的女警官苏明（马晓晴）赶到其寓所调查时，她却摆出拒人千里之外的态度，要翻案，这让苏明心生蹊跷。而周媚所在公寓的保安员前来自首时所说的前后不搭的供词，加深了苏明的疑惑，她决定为这个差不多定性的案子多跑几趟。 在精神病医师肖健（陈宝国）的协助下，苏明发现前来自首的保安员不过是在幻想犯罪，真正的强奸犯另有其人。当一段埋藏在深层的隐情被掀开时，苏明也意识到自己一直被某种情绪压抑着，要获得新生，必须进行一次彻底的释放。©豆瓣
伊尼奥和罗莎是一对新婚夫妇，没想到他们结婚才几个月，西班牙内战爆发。伊尼奥作为亲共分子被弗朗哥独裁政府抓捕，在被押解的路上，伊尼奥想办法逃回了家中。为躲避再一次被捕，伊尼奥在罗莎的帮助下，藏身于自家的地洞里长达30年。
内详
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
1943年，第二次世界大战期间，被占领的苏联即将迎来漫长的冬天。István Semetka是一支匈牙利特种部队的一员，他的任务是挨家挨户搜寻游击队员。一天，部队在向一个偏僻的村庄行军时，遭到敌人的炮火袭击。指挥官被击毙，作为最高级别的军官，Semetka必须接任。穿过一片沼泽地，他把幸存者领到一个被占领的村庄，在那里与他们的分队汇合。
故事描述在颐和酒店一班员工的点点滴滴，当中有很多同事间的友情，同事也有很多私心的存在，特别是经理马仁凡和服务员天生之间。一天，一位新员工Iva的加入，改变了全体员工。Iva的天真活泼和对人的友善，不但赢来了马经理的欢心，同时也和天生发生了一段暧昧的感情。就连一向沉默寡言的小鱼也成了Iva的好友。
解放前夕的上海，洋行职员陈启元和妻子葛丽娜过着美式的中产生活。解放军南下，葛丽娜力主离沪赴港，而他的丈夫决心留在上海。上海解放后，洋行关门，陈启元失业。经人介绍，他参加了公营机器厂，做了一名享受供给制待遇的工程师。家庭收入断绝后，丽娜偷偷与投机商人周浩然做起了生意，与丈夫的隔阂也越来越深。
讲述了全国解放前夕，在江南的一个小村庄里，从前在地主李春堂家当丫环的春梅来找李春堂，她的丈夫几年前被抓了壮丁，音讯全无，现在乡公所又抓了她的小叔子，她不得已来求李春堂到乡所说说情。李春堂不仅不帮忙，还大发雷霆，把她赶出来。这是消息传来，春梅的丈夫被抓壮丁后投奔了新四军，现在是解放军的团长。于是，正在他们争吵不休的时候，解放军进村了。地主恶霸慌作一团，而春梅和乡亲们高高兴兴地去迎接解放军。