正在播放: 妈咪的男朋友 | 第39集

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  • 2019 6.0

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    尽管父辈之间有着陈年旧怨,可方艺、章疑和卢启这三位性格迥异的富二代却一起哭,一起笑,成为了胜过同胞的兄弟。 可谁都没有想到,三人兄弟间的情谊小船竟在一夜之间说翻就翻。先是章疑与卢启为了一个女人争风吃醋,拳击决斗,卢启重伤失去神智,章疑入狱。而向来洁身自好,被誉为三兄弟间正能量担当的方艺醉酒后,竟然稀里糊涂地在酒店招嫖,随即也被“请”进了派出所。 一时间,这三位富二代兄弟成了这座城市里的笑话,而他们父亲的公司也同时出现了形形色色的危机。 这一切都像是巧合,却更像是一场阴谋。在大学同学林静的帮助下,走出拘留所的方艺和章疑决定追查真相,并帮助卢启恢复神智。 然而一番努力过后,真相依然深埋,而三兄弟却也彻底分道扬镳。 方艺痛苦不堪,为还自己清白,为了查清真相继续苦苦追查。而在危急时刻,章疑和卢启在过往兄弟情义的感召下又重新回到了他的身边。 三兄弟仿若英雄再聚首,并肩作战,终于查出幕后黑手,并将之绳之以法。方艺和他的两兄弟洗刷了自己身上被栽赃的污点,挽救了父亲的公司,找回了弥足珍贵的兄弟情义。当然,方艺也收获了他和林静之间的爱情……

  • 2009 1.0

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  • 2022 7.0

    千金难逃

    京城中被人津津乐道的两户皇亲国戚,一户是被冰人们竞相拉红线的护国大将军、靖安侯尹思慎,另一户是无人敢问津的“女张飞”廉王郡主叶蓉儿。谁知一道圣旨赐婚,两个不曾谋面的人被定了姻缘。叶蓉儿连尹思慎的面都没见到便带着贴身女官闻人翎连夜逃婚,找机会和离。叶蓉儿决定自己成为特级一品媒,自己为自己和离。于是她化名闻人静,与闻人翎装作姐妹开了家名为薄情馆的冰人馆,专接和离拆婚案,打尽天下薄情男。机缘巧合下,陆廷霄和方仙寻都加入了薄情馆。叶蓉儿发现两人接近她好似都带着不为人知的目的,更令她意外的是,她逃婚的“夫君”尹思慎似乎就隐藏在两人中间......

  • 1948 7.0

    欧洲的某个地方

    Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

  • 2020 10.0

    和歌子酒特别篇:飞騨酒窖巡游

    该SP讲述了今天也幸福地独自饮酒—村崎和歌子,26岁,唯爱美酒与美食。即便是偶然发现的店,也会鼓起勇气踏进去的温吞女生。和歌子十分享受一边思索着职场上发生的事、或是听着其他客人的谈话,一边独自饮酒的乐趣。时而用思绪和他人的对话配着料理下酒;时而专注于醇香的当季料理和美酒—朋友、公司同事、常去的店“逢乐”的老板还有周围的人们温柔地守护着和酒在一起的和歌子。酒和料理完美地搭在一起的刹那,全身心高涨起来的她会不自觉地发出“咻”的声音。这是和歌子的幸福瞬间。

  • 2020 2.0

    暴走武林学园

    很久以前,有一片神秘的国度武林大陆,以五大武林学院为首。   十年前,雄霸天横空出世挑战五大学院;无名大侠挺身而出,使武林大陆重回平静。而雄霸天逃出禁制,暴雨将至。   为了对抗雄霸天,五大门派成立联合学院培养精英。但事情却不顺利,一帮问题少年在联合学院上演了一系列爆笑的习武生活。武当废柴云无为(庞瀚辰饰)一心只为赚钱不思进取,峨眉学霸叶子飘(刘颖伦饰)脾气火爆复仇心切,大林和尚五修(文生饰)恐女胆小,异域公主佘妃(夏若妍饰)傻白甜,还有御虫有道的吃货妈宝祁有三(左其铂饰),五人不打不相识,从一盘散沙、相爱相杀到“好好学习”、升级打怪。   面对武林危难,临危受命,成为先锋战队,遭遇青春历练,初尝爱情滋味和兄弟情义,他们到底能否挑战终极boss,直面未知的命运,找到泱泱江湖中属于自己的梦想与激荡?

  • 2015 9.0

    情锁两界

    男主是个穷小子爱上了富家女,因为自己的妹妹被富人家强暴,所以心生怨恨,最后机缘巧合下成为有钱人回来复仇的故事。且看男主如何打击报复当初欺负他家人的人,如何步步为营将女主从男二手中抢过来。有情人是否能终成眷属。咱们一起拭目以待。

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