美君（梅艳芳 饰）、秦哥（刘德华 饰）、小村（钟镇涛 饰）是城市雇佣兵。美君和秦哥青梅竹马，两人情投意合。而后来加入的小村也深爱着美君，美君对两人摇摆不定。美君执行任务，将老鹰双眼弄瞎。老鹰临死前让他的徒弟银狐（郭富城 饰）替其报仇。银狐追杀美君，小村为救美君而死，临死前将他的妹妹惠香（叶蕴仪 饰）托付给秦哥照顾，而银狐的一只眼睛也被美君弄瞎。美君为了不连累秦哥，独自远走高飞。而秦哥则带着惠香，到处寻找美君的踪迹。直到有一天，美君的姐姐美慧（梅艳芳 饰）欺骗秦哥说，现在美君改名换姓为宠物夫人，正在比武招亲。秦哥赢了众人，才得知宠物夫人（刘嘉玲 饰）并非美君，只能拒绝和宠物夫人成婚，独自离去。后来他终于发现了美君的踪迹，然而此时银狐再次追杀上门。美君更中了银狐的“恐怖天使”毒药，24小时内即将毒发，而天下能解此毒的只有宠物夫人。秦哥只能抱着美君回去找宠物夫人.......
影片由三个短片构成——《魔法（比魔法更不真切）》《开着的门》《再来一次》。女性角色的多重性和镜像性是滨口之前的作品中的主题，在他的新作《偶然与想象》中也是如此。前作《欢乐时光》和《夜以继日》，从字面上看，颇有小说的味道，而《偶然与想象》则可以说是一部短篇小说集。叙事节奏更强化了这一印象：三集，每集围绕一个女性角色展开，又分为三幕。三个短片讲述了一个意想不到的三角恋、一场未遂的诱惑和一个因误会而相遇的故事。尽管零散，但仍保持了有机的叙事流程，甚至还强调了这一点。虽然大部分的动作都发生在一个空间里，而且只有两个演员参与，这部电影却不让人觉得像一出室内剧。这不仅仅是由于对话的缘故，还在于其复杂的时空概念，最后一集几乎变成了科幻片。我们所见证的时刻都与感人的普遍命运相连，以选择、遗憾、欺骗和巧合为标志，它们是影片真正的主角。
杰西是一个由他人代养的孩子，离家出走逃到海洋公园，跟那里的鲸鱼交上了朋友。当黑心的公园主为了骗取保险金，打算杀死鲸鱼时，杰西自然会奋不顾身救朋友一命。 影片的模式有点像《外星人》，但煽情技巧更初级。影片包含着对天然、对动物的热爱，适合当作儿童素质教育的材料。
这是一个关于忠诚、勇气、牺牲和信仰的故事。罗广顺十五岁参加红军担任司号员，为了找回在一次突围中丢失的军号，他与部队失去了联系。罗广顺把找回的军号和号谱交给母亲，踏上了追赶部队的路......时间到了一九七四年，罗家准备翻盖老屋，意外地在谷仓的砖下发现了一个小坛，罗广顺小心地打开一看，意外的惊喜发生了......《我的军号》取材于真实历史事件，以福建宁化县泉上镇老红军罗广茂在土地革命战争年代用生命保存下来目前最为完整的《军用号谱》为线索展开故事，讲述了红军战士刘广顺在宁化参加红军，成为一名司号员，在残酷的斗争中经历种种磨炼，始终保持着对革命、对司号员职责的忠诚，视军号、军号谱为生命，并通过两代人的努力，把军号谱和一个号嘴保存下来的过程，真实再现了宁化人民光辉悲壮的革命历史。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
十年，最后的最后。
钟家和祝家世代为仇。一年前，重病在身的祝七爷临死前派人将纪家灭门，所幸钟家少爷钟良大难不死，但一颗子弹却留在了他的头中，并且不断擦去他的记忆。祝七爷随后病死，祝家从此也只留下一女，名为祝岚。为了在彻...
一位重病多年小男孩，在灵魂出窍之后踏上抗击犯罪的冒险之旅。
又一部爆笑喜剧已于当地时间8月16日登陆BBC1台，剧名为《癫狂中学》(Big School)，汇集了一大帮“熟脸”：该剧由《小不列颠》和《伴我双飞》男星之一大卫·威廉姆斯主创并主演，《神秘博士》女星凯瑟琳·塔特将饰演女主，《火星生活》男星菲利普·格伦尼斯特也将加盟。该剧第一季共有6集。《癫狂中学》讲述了一所中学里教职员工的工作和生活。威廉姆斯的角色名为Mr.Church，是一名化学教授，他对自己的现今的职业失望透顶，想要辞职并且去寻找其他的工作。但此时，学校来了一名新的法语老师，Miss Postern(凯瑟琳·塔特 饰演)，Church先生对她一见倾心。不过麻烦的是，学校里和他不对盘的体育老师Mr.Gunn(菲利普·格伦尼斯特 饰演)也非常喜欢Miss Postern，虽然他依旧和自己的妈妈住在一起，不过孔武有力的他依旧对Mr.Church造成了...
50多岁的出租车司机安德烈跟80多岁的老母住在一起，母亲之前是好莱坞的知名女演员，总是回想昔日的辉煌。他们平淡的生活突然被一个善良热情的美国老头打破了，开始一段搞笑的三人生活。
英俊不羁的德在当地的一家叫做“寂寞在线”的电台工作，他从小就失去了父母，一直和爷爷相依为命。但是如今，他平静的生活却被一个新搬来的邻居——女孩洁打破了。洁总是爱把车停在德的家门口、会偷偷地把垃圾倒在他家的垃圾桶里、总是在半夜唱歌吵得人不得安宁……，总之，在德的眼里，洁绝对是一个要被众人唾弃的坏女孩。而洁对这个脾气暴躁、总是恶语伤人的青年男子也没什么好印象。这一对冤家之间的火药味越来越浓，他们想着法地捉弄对方。 洁的男朋友因为忍受不了她的个性提出分手，洁对此伤心不已，整日沉浸在醉生梦死的生活中。她的好朋友埃玛为了让她重新振作起来，以“埃玛”这个名字帮洁报名了“寂寞在线”电台的一个讲述幸福的游戏。没想到，一个荒唐可笑的故事就此展开。 在电台的一次电话采访中，误以为是骚扰电话的洁出语狂妄，却没想到这段话早已通过广播传到了大街小巷。也因为这个小插曲她与电台的...